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13 June
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观《如果·爱》的几点体会

1

故事结构几乎是十年前《甜蜜蜜》的翻版:三角恋情的前世今生

故事要表现的也是那几个永恒的主题:外面的世界、闪亮的日子、爱

2

这虽然是一部爱情片,却不是一部宣扬爱情的爱情片

在这部戏里,爱情一次次让步于野心、让步于权衡、让步于现实

即使在最煽情的场景过后,男女主角仍要回到片场,回到尘世。生活仍要继续,该放手的还是要放手。只剩片尾曲试图以一脸超脱和释然来说服观众:

就算结束了依然存在

因为这就是爱!

3

难道爱只存在于毅然决然的放手和多年以后的回味中?

当然不是!

那只是陈可辛擅长演绎的爱

可我们偏偏就是喜欢看

那你还能怪谁?

4

同上海部分鲍德熹现代、清新而又带些迷离的风格相比,我更喜欢北京部分杜可风清爽、简洁、直指人心的摄影。

爱在温润柔和的上海艰难滋生,却在萧瑟寒冷的北京热烈绽放

窗外飘着雪的半地下室、睡梦中磨着牙的女主角、冬日路边的寒树。。。都能唤起串串回忆——其实用“串串”并不确切,因为浮现在脑海里的只剩下回忆的片断,已经串不起来了。

5

说起道具,惹人念想的还有金城武泡面用的饭盆和周迅洗澡时用的那个搪瓷缸——后者真是神来之笔,让我对编剧油然而生一份亲切之情。

6

剧中几乎所有人物都说国语——包括香港人金城武和曾志伟,只有金城武的经理人吴君如坚持说字正腔圆的粤语。她表现得非常专业干练,但当她试图跟制片人曾志伟讨价还价的时候,说国语的曾志伟根本不鸟她——陈可辛给太太安排了这么一个尴尬角色,传达一种让观众会心一笑的涵义,有意思!

7

周迅给赞助商Cartier拍的那幅户外真失败,根本就是面有菜色。

8

周迅无助而绝望地躺在冰河上,背景那首《外面》化自《外面的世界》,写得很到位。

外面的世界很精彩,我出去会不会失败?

外面的世界特别慷慨,闯出去我就可以活过来

留在这里,我看不到现在

我要出去寻找我的未来

外面的世界很精彩,我出去会变得可爱

外面的机会来得很快,我一定找到自己的存在

一离开,头也不转不回来

我离开,永远都不再回来

9

拍完戏的周迅,静静地坐在台灯下,脸上闪耀着张艾嘉的光彩

这部片她演得相当成功,演绎了女人的每个时代、每种风情、每一个美的瞬间

与其说这是一部爱情片,还不如说这是一个女孩子的成长日记

她牺牲了自己的青春和爱情,付出了难以计数的努力和代价,最终得到了什么呢?

也许真正值回这一切的,就是成熟女人的沉稳,从容,以及那段历经岁月积淀后爱的回忆吧

 

如果·爱

导演:陈可辛

主演:周迅、金城武、张学友、池珍熙、曾志伟、吴君如

 

One Response to “观《如果·爱》的几点体会”

  1. ritareuental says:

    看到《外面》的歌词,觉得好像人生被预告了一般
    结局同样也是未知的
    不过总要拼搏一把,才不负青春

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