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李银河所译约翰盖格农《性社会学》第十七章“性环境”,集中叙述了美国对含有性内容的作品审查制度的变迁,因而成为全书最有神彩的一章。美国在两次大战前对“色情作品”的审查是最严的,受到打击的决不止是真正的色情作品。就以作家为例,不但海明威、雷马克有作品被禁,连最为“道学”的列夫托尔斯泰也上了禁书榜。在本世纪二十年代,美国的禁书榜上不但包括了乔依斯的《尤利西斯》,劳伦斯的《恋爱中的女人》等等,拉伯莱斯的《阿拉伯之夜》和雷马克的《西线无战事》也只能出节本。事有凑巧,我手上正好有一本国内出版的《西线无战事》,也是节本,而且节得上气不接下气。这种相似之处,我相信不仅仅是有趣而已。以前我们谈到国内对书刊、影视某些内容过于敏感时,总是归因亏中外国情不同,让会制度不同,假如拿美国的三十年代和现在中国做个对比,就很容易发现新的线索。

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